24 dB/octave low pass resonant filter with self-oscillation.All the parameters of the original ARP 2600:.Experience it in perfect plugin detail, with enhancements overflowing with creative ideas for any genre. When you need something with that extra special character the Arp 2600 is the one to go for.ARP 2600 V reproduces one of the most desired synthesizers ever created, responsible for sounds ranging from '70s funk textures to unmistakable special FX. The Arp 2600 is a workhorse that can deliver everything from clean leads and sequences to crazy sound effects. If you’re new to synthesis, no problem: Arturia have included hundreds of excellent presets to get you started. The combination of old and new features forms an exciting new virtual synthesizer. Modern effects devices are also available, along with the original ARP sequencer. Four revolutionary tracking generators add sonic flexibility that is highly advanced. But that’s not all: the speaker panels hide innovative features that take the initial design of the ARP 2600 to a new level. All of the original functions and signature sound are there, not to mention MIDI control, polyphony, and the ability to create, save and recall presets. With ARP 2600 V Arturia brings this powerful analog synthesizer back to life. The third and final version of the ARP2600 was the most popular of all. In 1978 ARP decided to change the graphic chart for all of its machines: a black background color with orange silk screening was introduced. The “Blue Meanie” was quickly replaced by a second version, with a grey background finish and white silk screening (1972). In ten years, three versions of the ARP 2600 were commercialized: The first version was called “Blue Meanie” because of its steely blue finish. ARP was the market leader in synthesizers during the 70’s with around 40% of the market share. The ARP 2600 was notably used by Stevie Wonder, Joe Zawinul (Weather Report), Tony Banks (Genesis), Jean-Michel Jarre, and Herbie Hancock, to name a few artists. This semi-modular synthesizer, conceived with an educational goal, was to become hugely successful after a shaky start. The growth of ARP instruments was fast and in 1972 the ARP 2600, probably the most legendary of the entire range, was unveiled. The ARP 2500 found success in American universities. The machine used a matrix to connect the different sections of the synthesizer instead of the traditional patch cables found in the competitor's modulars. The Massachusetts-based company designed electronic products, but most importantly they designed and built a large modular synthesizer, the ARP 2500. In 1969, he created ARP Instruments (originally called Tonus Inc.) with David Friend and Lewis G. This was a means for him to associate his two passions: electronic music and the piano. Pearlman, whose initials would later form the name of his synthesizer company, became convinced of the potential for electronic devices to be used as musical instruments as early as 1948, when he was a student at the Worcester Polytechnic Institute. The multimode filter and output audio effects add new possibilities not found in the original.and, it is fully polyphonic. Four revolutionary modulation generators add sonic flexibility and the step sequencer will allow you to animate your sounds. While the original instrument was a wonder to use, Arturia have always found ways to innovate and improve. A unique combination of semi-modular architecture and fixed preset routing, gave the original ARP2600 the distinction of being one of the most versatile synths of the 1970s. With its sound palette varying from heavy drum n' bass stabs to angular arpeggiated electro bass lines, whatever your chosen genre, the Arturia ARP 2600 V3 is a truly versatile sound creation tool which still takes its place at the heart of today's music.
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